Tapestry from Aegean to Mediterranean collection interpreting the region with all its sentiment and joy.

Mixed natural fibers and local cloth from the Denizli region are used. Denizli is famous with its roosters.

The weaving will be delivered either stretched over wooden carcase or will be mounted on a rustic wooden rod.

A vertical and relatively biggertapestry for the wall. Tapestry from Aegean to Mediterranean collection. No blue this time. With its sea, the sun, houses, evil eye and beads a true Agean. A relaxed and freestyle weaving.

Another tapestry for the wall with the eye theme. All is hidden in the eye; our sorrow, despair, hope, happiness…

This tapestry is from sixty seventy shoed to eternity* collection  which carries the evil eye theme.

Each knot of the cotton, wool and hemp fibers with differing thicknesses used in this weaving, is designed to contribute for the shadows, reflections and depth planned for a enchanting evil eye design. These tapestries add warmth, richness and volume to the settings they are included in.

Hanged on a spear end worn wrought iron rod, the tapestry is ready to be mounted on the wall

*traditional public prayers for preventing evil eye.

Shahmaran is a mythical creature in Iran, Anatolia and Iraq. Shah is the title given  primarily for the leader of the Iranians and their land and “Mar-an” means snakes. Shahmaran is known as the queen of the serpents. Shahmaran female figure, whose upper body is human and lower part is snake, is freed from her details and the focus is directed to the enchanting eyes in this weaving.

Weaved with jute and cotton fibers, this wall hanging tapestry balances the strong hue of red and violet with natural smoothness of jute.

This tapestry is from sixty seventy shoed to eternity * collection. The collection carries evil eye and amulet themes where the themes are interpreted and redesigned together with traditional kilim patterns.

*traditional public prayers for preventing evil eye

This tapestry is from sixty seventy shooed to eternity * collection. The collection carries evil eye themes where they are redesigned together with traditional kilim patterns. While all shades of blue represent Aegean wibes, the repeating eye motif assures the strength of the prayer.

Each knot of the cotton and wool fibers with differing thicknesses used in this weaving, is planned to contribute for the shadows, reflections and depth planned with the design. May it bring peace to the owner.

*traditional public prayers for preventing evil eye

Tapestry from Aegean to Mediterranean collection. The collection interprets the region with all its sentiment and joy. Sea with all its shades and creatures, İznik tiles, Aegean and Mediterranean cultures are my major inspirational resources.

The galleon figure is widely used in İznik tiles symbolizing the Ottoman navy. Dragons, clouds and seagulls escort the figure. Blue has always been the main color. Surprising for all, all the ships are situated as going west. Three dimensional effect given to the mast by embossing wrap over the base weaving.

This tapestry carries figure of hand of Fatima to the walls along with the astonishing deep blue colors of Mediterranean sea. The figure of evil eye placed on the palm presents the warm caressing feeling of a prayer.

These weavings which I unite traditional patterns with astonishing knots add the environment they are placed deepness, warmth, richness. 

 A tribute to dear Ece Temelkuran’ s precious novel Women Who Blow on Knots. 

The weaving is stretched over carcase covered with raw cotton fabric.

One of older pieces.Tapestry from Aegean to Mediterranean collection which interprets the region with all its sentiment and joy. Sea with all its beloved creatures swarm all over the weaving.

Adjusted to be mounted on the wall with a wooden rod.

Tapestry from Aegean to Mediterranean collection, interpreting the region with all its sentiment and joy. Cruising through the tranquilizing waters of Agean sea and especially at Gökova makes it a must to picturize. An enchanting sun rise at Gökova gets together with my eye figure.

The weaving is stretched over a wooden carcase covered with raw cotton fabric.